Highlights of Brazil’s LGPD
Brazil became the latest country to draw inspiration from Europe’s General Data Protection Regulation (“GDPR”) and adopt its own national comprehensive legal framework for personal data regulation, called the Lei Geral de Proteção de Dados (“LGPD”). A comparison of some of the key topics covered by the GDPR and LGPD are summarized below:
|Effective Date||May 25, 2018||August 15, 2020 (but enforcement will not begin until August 1, 2021)|
|Fines||Up to the higher of €10 M or 2% of global annual revenue from preceding financial year||Up to the lesser of 50 M reals or 2% of Brazilian sourced revenue from preceding financial year|
|Territorial Scope||Personal data processing activities when:
1. Controller or processor is established in the EU, regardless of whether the processing takes place in the EU or not;
2. the data refers to individuals located in the EU when offering goods or services to such data subjects or monitoring their behavior;
3. carried out by a controller not established in the EU, but in a place where Member State law applies by virtue of public international law.
|Personal data processing activities when:
1. carried out
Effective August 17, 2020, the U.S. Copyright Office will begin providing a special group registration option for “short online literary works” such as poems, short stories, articles, essays, columns, blog entries, and social media posts. This new registration option will allow applicants to cover up to 50 works with a single application and one filing fee.
In order to qualify for group registration for short online literary works:
This new group registration option provides a streamlined, cost-effective path for influencers, bloggers, and other online content creators to register the copyright to their creative works. While copyright registration is not technically required to own the copyright to one’s creative works, under U.S. law, copyright owners cannot file a lawsuit against infringement until they have received a registration, or refusal to register, from the U.S. Copyright Office. Owning a registration prior to a creative work being infringed may also provide options for the owner … Keep reading
The U.S. Trademark Office announced its intent to increase various filing fees, and assess new categories of fees, in response to its continually increasing operational expenses. The last time the U.S. Trademark Office changed its fee schedule was January 2017.
Fortunately, the Office has also indicated that it will not implement its proposed fee changes until October 2020 at the earliest. Even then, the notice suggests that it would weigh its operational needs against the state of the U.S. economy before moving forward with the fee adjustments.
Below is a summary of many of the highlights of the proposed filing fee changes for electronic filings (which the U.S. Trademark Office continues to encourage through lower filing fees compared to filing by paper):
Two new categories of fees are worth noting as they may significantly impact trademark portfolio management strategies.
New Fees Assessed for Delayed Requests for Reconsideration
For the first time, the Office is proposing to assess fees for submitting a Request for Reconsideration where such a request is filed more than three months from the issue date of a Final Action. Under U.S. trademark practice, if the Office raises an objection, the applicant will have six months … Keep reading
On August 4, iconic guitarist Neil Young sued the Trump Campaign, claiming that Trump’s unauthorized use of his songs Rockin’ in the Free World and Devil’s Sidewalk at various rallies, including at the Tulsa rally on July 20, violated Young’s copyrights in those songs. In filing his complaint, Young joins an elite crowd of artists who have complained about the purported unauthorized use of songs when the artist and the writer were not otherwise aligned politically. Reagan, GW Bush, and McCain (among others) have all had to defend claims brought by, respectively, Bruce Springsteen, John Mellencamp, and Heart suggesting that use of their songs were unauthorized violations of their copyrights (and other rights) in those songs.
Fundamentally, Young claims that he owns the copyrights in the songs used by the campaign and the campaign used them without authorization. Accordingly, he argues that he should be awarded an injunction against continued use, and damages for the prior violations.
These claims have a simple elegance and on their face. But anyone who has dealt with music performance rights and licensing knows that there is almost nothing simple about those concepts. Indeed, the world of music licensing is among the … Keep reading
One of the more operationally challenging components of the General Data Protection Regulation (GDPR), was the restriction on transferring European personal data to recipients outside of the European Economic Area (EEA). Essentially, unless an exception or some additional GDPR-approved mechanism applies, European personal data cannot be transferred to non-EEA countries unless the data is being transferred:
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